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  • Writer's pictureBelinda Keyte

Review B

STATEMENT

‘All I want for Christmas…’ was conceived whilst searching for meaning on the Queen’s Birthday holiday. What concerns me is the superficiality of the holiday occasions and the meaninglessness of their symbolism.

Creating a perspective by way of deconstructive montage and humour reveals how the holidays signify a contemporary, mass consumerist society. One that doesn’t include many. This has led to these occasions being traumatic and alienating for some.

The project acknowledges the power of politics and marketing to ‘reposition’ the holidays away from their origins or negative associations. To keep them alive and profitable. The same symbols and images that pervade our lives are combined along with my own shot and performed responses. Parodying what the holidays are ‘selling’ through their own iconography. My aim is to position them in reality.

Happy New Year


Change the Date

SuperJesus

Christmas is Awful

Are you ready for Boxing Day?


BIBLIOGRAPHY:

Andreas Gursky n.d., viewed 1 August 2020, https://www.andreasgursky.com/en

Bolter, J.D 2016. Posthumanism, USA: Georgia Institute of Technology, https://onlinelibrary.wiley.com/doi/pdf/10.1002/9781118766804.wbiect220

Braidotti, R 2019. Posthuman knowledge. Cambridge, England; Medford, Massachusetts: Polity. https://primo-direct-apac.hosted.exlibrisgroup.com/permalink/f/o3fpsu/RMIT_ALMA51215890560001341

Capital in the 21st Century 2019, Feature film, Doc Play, directed by Justin Pemberton, viewed 5 September 2020, https://www.docplay.com/player/capital-in-the-21st-century

Centre for Communication & Civic Engagement n.d., Culture Jamming, University of Washington, viewed 1 August 2020, https://depts.washington.edu/ccce/polcommcampaigns/CultureJamming.htm

Emin T 2013, My photo album, FUEL Design & Publishing Press, London

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Kogi, M and Lund, C 2011, ’Pippilotti Rist - Color is Dangerous’, Louisiana Channel, Louisiana Museum of Modern Art, viewed 25 July 2020, https://channel.louisiana.dk/video/pipilotti-rist-color-dangerous

Looky Looks Here Comes Cooky 2020, Feature film, Melbourne International Film Festival, directed by Steven McGregor, viewed 16 August, https://2020.miff.com.au/film/looky-looky-here-comes-cooky-special-preview-screening/

Louisiana Channel 2019, Pipilotti Rist Interview: A Visit to the Studio, YouTube 9 May, Louisiana Museum of Modern Art, viewed 1 August 2020, https://www.youtube.com/

Martha Rosler n.d., viewed 21 August 2020, http://www.martharosler.net/

Macnamara, J and Crawford, R 2013, ‘The construction of Australia Day: a study of public relations as ‘new cultural intermediaries’’, Continuum, 27:2, pp.294-310, viewed 23 August 2020, https://www.tandfonline.com/doi/abs/10.1080/10304312.2013.766311?journalCode=ccon20

Michael Cook n.d. viewed 29 August 2020, https://www.michaelcook.net.au/

MoMA, n.d. ‘Martha Rosler House Beautiful: Bringing the War Home c. 1967–72’ House Beautiful (Bringing the War Home). 1967-72 | SEEING THROUGH PHOTOGRAPHS YouTube, 13 Feb 2019, The Museum of Modern Art, viewed 16 August, https://www.moma.org/collection/works/152791 (gallery collection page) https://www.youtube.com/ (collection video)

Museum Of Contemporary Art 2015, Grayson Perry: My Pretty Little Art Career, Kent, R (Curator), Museum of Contemporary Art Sydney, viewed 18 September 2020, https://www.mca.com.au/artists-works/exhibitions/grayson-perry-my-pretty-little-art-career/

Peter Kennard n.d. viewed 22 August 2020, https://www.peterkennard.com/

Schmitz, Schmitz & Rudolf 2008, ‘Nothing over 99 Cents Ever or, the Consumer Society as Divine Comedy’, In Beil, R and Fessel, (Eds.), ‘Andreas Gursky: Architecture’, Ostfildern: Hatje Cantz, pp.50-53

Urry, J 1988, ‘Cultural change and Contemporary Holiday-Making’, SAGE journals, viewed 25 July 2020, https://journals.sagepub.com/doi/abs/10.1177/026327688005001003

Watson, J,2020, ‘It's not just Australia Day — national holidays are 'almost always political’’, ABC Radio National , viewed 25 July 2020, https://www.abc.net.au/news/2020-01-24/australia-day-and-national-days-politics-around-world/11886420

Williams-Wynn, C 2016, ‘Images of Equivalence: Exchange-Value in Andreas Gursky’s Photographs and Production Method’, Photography and Culture, 9:1.

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